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                <text>Alalimteeyik with baskets</text>
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                <text>Wedding trade. The women's family traded dried roots in root bags and dried berries in berry baskets. Alalimteeyik, grandmother of Mr. Moses Thomas. Courtesy, Rev. H. L. Sugden, Lapwai, Idaho, c. 1900.</text>
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                <text>James, Caroline. 1996. Nez Perce women in transition, 1877-1990. Moscow, Idaho: University of Iowa Press. Page 87.</text>
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                <text>circa 1900</text>
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                    <text>Bag 1, front</text>
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                    <text>Bag 2, back</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_01.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_01.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_01_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_01_side2.htm&lt;/a&gt;</text>
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                <text>This bag uses Indian hemp twine for its foundation fabric and cornhusk cord for its decorative motifs.  One side of the bag features a design with colored diagonal bands that were made using natural red, blue and green dyes, while the other side features a diamond-patterned design that employs only the natural hues of the hemp and cornhusk.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Hemp, cornhusk, cotton fastening cord</text>
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                <text>Nez Perce</text>
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                <text>late 19th century</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_10.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_10.htm&lt;/a&gt;</text>
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                <text>fold-over purse with belt</text>
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                <text>Twined belts with fold-over purses are typically worn by women as part of their fancy dress regalia.  This example is beautifully embroidered with floral and foliate designs whose intricacy is reminiscent of needlepoint.&#13;
&#13;
Schlick Collection&#13;
&#13;
Cotton twine, cornhusk, buckskin leather</text>
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                <text>Yakama</text>
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                <text>early 20th century</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_11.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_11.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_11_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_11_side2.htm&lt;/a&gt;</text>
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                <text>leather-topped pouch with central design</text>
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                <text>1970</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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                <text>Schlick Collection&#13;
&#13;
Cornhusk, leather</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_12.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_12.htm&lt;/a&gt;</text>
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                <text>Earrings</text>
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                <text>Not to be mistaken for tourist trinkets, personal ornaments like these earrings provide a way for Native women to both “wear” their identity and show off the virtuosity of the weaver’s craft.   &#13;
&#13;
Schlick Collection&#13;
&#13;
Cornhusk, yarn, leather</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_13.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_13.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_13_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_13_side2.htm&lt;/a&gt;</text>
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                <text>Nine squares containing star motifs provide an example of an overall design pattern that utilizes many colors and shapes on a plain twined bag that is completed with a leather handle.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Hemp, cornhusk, natural fiber cord, leather</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_14.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_14.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_14_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_14_side2.htm&lt;/a&gt;</text>
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                <text>This bag features a dramatic banded design that is embroidered in a zig-zag motif with brightly colored yarns in purple, red, green, turquoise and black.&#13;
&#13;
Schlick Collection&#13;
&#13;
Hemp, cornhusk, colored yarns, leather</text>
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                <text>Nez Perce or Cayuse</text>
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                <text>late 19th-early 20th c.</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_15.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_15.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_15_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_15_side2.htm&lt;/a&gt;</text>
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                <text>Cornhusk embroidery on this bag forms an X-shaped design that is complemented by outlining and the use of variable color hues that add dimension to the centralized design.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Hemp, cornhusk, leather</text>
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                <text>early 20th century</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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                <text>The intricate design of roosters, eagles, and butterflies embroidered in colorful woolen yarns on this early 20th century handbag is quite unusual and must have had special meaning for the weaver who created it. &#13;
&#13;
Schlick Collection&#13;
&#13;
Corn husk, wool, leather, cotton twine</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Columbia Plateau</text>
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                <text>early 20th century</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_17.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_17.htm&lt;/a&gt;</text>
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                <text>Belt purse with Eagle and Shield Design</text>
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                <text>More commonly seen in beaded bags than in twined ones, this patriotic eagle and shield motif may have been designed for a Native American veteran of the United States armed forces.&#13;
&#13;
Schlick Collection&#13;
&#13;
Corn husk, wool, leather, cotton twine</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Umatilla</text>
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                <text>late 20th century</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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