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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_13.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_13.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_13_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_13_side2.htm&lt;/a&gt;</text>
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                <text>Bag 13</text>
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                <text>Nine squares containing star motifs provide an example of an overall design pattern that utilizes many colors and shapes on a plain twined bag that is completed with a leather handle.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Hemp, cornhusk, natural fiber cord, leather</text>
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                <text>Nez Perce</text>
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                <text>early 20th century</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_15.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_15.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_15_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_15_side2.htm&lt;/a&gt;</text>
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                <text>Cornhusk embroidery on this bag forms an X-shaped design that is complemented by outlining and the use of variable color hues that add dimension to the centralized design.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Hemp, cornhusk, leather</text>
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                <text>Nez Perce</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_18.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_18.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_18_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_18_side2.htm&lt;/a&gt;</text>
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                <text>Bag 18</text>
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                <text>fringed handbag</text>
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                <text>Its idiosyncratic design, vivid colors, and fancy leather trim suggest that this bag was created to be a highly cherished personal accessory.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Twined corn husk, wool, leather</text>
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                <text>Nez Perce</text>
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                <text>1985</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/oberlin_bag.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/oberlin_bag.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/oberlin_bag_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/oberlin_bag_side2.htm&lt;/a&gt;</text>
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                <text>twined root bag</text>
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                <text>This bag from the Spalding-Allen collection is the earliest known and most securely dated example of the type of flat twined storage bag that the Nez Perce call “qaqape” (pronounced kaKA’peh).  Consistent with other early twined bags, this bag has a foundation structure of Indian hemp with a false embroidery decorative design of triangles and lines picked out in a lighter colored natural grass, probably bear grass.  The Oberlin bag is typical of many large twined storage bags in that each side features a different design. Overall, the bag is in very good condition, suggesting that it had not been used much at the time it was collected.  The black number “102” that appears on the upper left surface of the bag is probably an inventory number that was placed there at the time the bag was loaned to another institution in 1894.  This event separated the bag permanently from the rest of the Spalding-Allen collection and accounts for its continued presence in Oberlin until 2002.</text>
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                <text>Nez Perce</text>
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                <text>ca. 1840</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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                <text>bag from the Nez Perce Museum Collections at the Nez Perce National Historical Park</text>
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                <text>"Flat bags were used for harvesting, gathering, and storing processed roots, berries and other plant materials. Plain twining of Indian hemp, warp and cotton weft with false embroidery of dyed and undyed cornhusk were used as the external weft. The third weaving element was used to create the diamonds, stepped triangles, and the background." &lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.nps.gov/museum/exhibits/nepe/exb/dailylife/GenderRoles/NEPE1916(2)_Bag.html" target="_blank"&gt;https://www.nps.gov/museum/exhibits/nepe/exb/dailylife/GenderRoles/NEPE1916(2)_Bag.html &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Hemp (Apocynum cannabinum), cornhusk (Zea mays)</text>
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                <text>Nez Perce</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_14.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_14.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_14_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_14_side2.htm&lt;/a&gt;</text>
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                <text>This bag features a dramatic banded design that is embroidered in a zig-zag motif with brightly colored yarns in purple, red, green, turquoise and black.&#13;
&#13;
Schlick Collection&#13;
&#13;
Hemp, cornhusk, colored yarns, leather</text>
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                <text>Nez Perce or Cayuse</text>
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                <text>late 19th-early 20th c.</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_20.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_20.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_20_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_20_side2.htm&lt;/a&gt;</text>
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                <text>Recovered after the Battle of Clearwater in 1877, this bag has been attributed and dated on the basis of where and when it was found as well as its construction materials and design.&#13;
&#13;
University of Colorado Museum&#13;
&#13;
Indian hemp, cornhusk, cordage</text>
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                <text>ca. 1840</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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                <text>Photo courtesy of the Idaho Potato Commission&#13;
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_22.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_22.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_22_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_22_side2.htm&lt;/a&gt;</text>
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                <text>This bag is attributed to a weaver named Susie Walsey Billy who was a member of the Rock Creek Band, one of the 14 tribes comprising the Yakama Nation.  The attribution is based on the testimony of Susie’s daughter, Agnes, who was able to identify the bag as her mother’s work and date it to the 1920’s or 1930’s when it was exhibited in l987 at the Maryhill Museum in Oregon.&#13;
&#13;
Schlick Collection&#13;
&#13;
Hemp, cornhusk, cotton string</text>
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            <name>Creator</name>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_17.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_17.htm&lt;/a&gt;</text>
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                <text>More commonly seen in beaded bags than in twined ones, this patriotic eagle and shield motif may have been designed for a Native American veteran of the United States armed forces.&#13;
&#13;
Schlick Collection&#13;
&#13;
Corn husk, wool, leather, cotton twine</text>
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            <name>Creator</name>
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