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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="photo%20of%20bag;%20obtained%20from%20original%20Closing%20the%20Circle%20website%3A%20" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_02.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_02_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_02_side2.htm&lt;/a&gt;</text>
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                <text>Bag 2</text>
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                <text>fringed handbag</text>
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                <text>Toward the end of the 19th century, cotton replaced Indian hemp as the primary foundation material in most Columbia River twined bags.  This handbag has a cotton twine foundation, a false embroidery surface of natural cornhusk and synthetically dyed woolen yarns, and a pale leather fringe.&#13;
&#13;
Schlick Collection&#13;
&#13;
Cotton twine, cornhusk, woolen yarn, leather</text>
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                <text>Yakama</text>
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                <text>1900</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_03.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_03.htm&lt;/a&gt;</text>
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                <text>A floral arrangement picked out in red, orange, and brown beads against a blue background adorns the front of this meticulously crafted bag.  Its leather trim and velvet back further enhance its luxurious appeal.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Cut and seed beads, velvet, leather</text>
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                <text>Yakama</text>
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                <text>1971</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_10.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_10.htm&lt;/a&gt;</text>
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                <text>fold-over purse with belt</text>
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                <text>Twined belts with fold-over purses are typically worn by women as part of their fancy dress regalia.  This example is beautifully embroidered with floral and foliate designs whose intricacy is reminiscent of needlepoint.&#13;
&#13;
Schlick Collection&#13;
&#13;
Cotton twine, cornhusk, buckskin leather</text>
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                <text>Yakama</text>
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                <text>early 20th century</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_19.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_19.htm&lt;/a&gt;</text>
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                <text>Bag 19</text>
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                <text>beaded bag</text>
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                <text>Although horses and flowers are common motifs on beaded bags, this intricate design depicting a Palamino and an Appaloosa trotting beneath a canopy of rose blossoms is exceptionally fine.  The bag features several different types of beads and beading techniques and, as is typical for bags of this type, is decorated on one side only.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Cotton, beads, buckskin</text>
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                <text>Yakama</text>
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                <text>1971</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_06.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_06.htm&lt;/a&gt;</text>
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                <text>Bag 6</text>
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                <text>Pink, bronze, cranberry and white beads create a geometric design that is quite similar to those found on some 19th-century twined bags.  Elaborate beaded bags of this type were frequently passed down within families from generation to generation as treasured heirlooms, a practice that has ensured their survival despite their fragility.&#13;
&#13;
Schlick Collection&#13;
&#13;
Glass seed beads, fabric, buckskin thong handle</text>
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                <text>Yakama or Warm Springs</text>
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                <text>late 19th-early 20th c.</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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                <text>Alalimteeyik with baskets</text>
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                <text>Wedding trade. The women's family traded dried roots in root bags and dried berries in berry baskets. Alalimteeyik, grandmother of Mr. Moses Thomas. Courtesy, Rev. H. L. Sugden, Lapwai, Idaho, c. 1900.</text>
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                <text>James, Caroline. 1996. Nez Perce women in transition, 1877-1990. Moscow, Idaho: University of Iowa Press. Page 87.</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_11.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_11.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_11_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_11_side2.htm&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bag 11</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>leather-topped pouch with central design</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1970</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="293">
                <text>Schlick Collection&#13;
&#13;
Cornhusk, leather</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
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        <src>https://closingthecircle.oberlincollegelibrary.org/files/original/9051c5e4acc17cf8d368323987e25b8a.JPG</src>
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      <name>Still Image</name>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Repatriated Bag With Other Bag</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Repatriated Bag</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Repatriated bag among other examples of Nez Perce flat twined weaving at the symposium</text>
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        <name>repatriated bag</name>
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      <tag tagId="1">
        <name>symposium</name>
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</itemContainer>
