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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_17.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_17.htm&lt;/a&gt;</text>
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                <text>Bag 17</text>
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                <text>Belt purse with Eagle and Shield Design</text>
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                <text>More commonly seen in beaded bags than in twined ones, this patriotic eagle and shield motif may have been designed for a Native American veteran of the United States armed forces.&#13;
&#13;
Schlick Collection&#13;
&#13;
Corn husk, wool, leather, cotton twine</text>
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                <text>Umatilla</text>
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                <text>late 20th century</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_18.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_18.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_18_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_18_side2.htm&lt;/a&gt;</text>
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                <text>Bag 18</text>
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                <text>fringed handbag</text>
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                <text>Its idiosyncratic design, vivid colors, and fancy leather trim suggest that this bag was created to be a highly cherished personal accessory.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Twined corn husk, wool, leather</text>
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                <text>Nez Perce</text>
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                <text>1985</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_19.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_19.htm&lt;/a&gt;</text>
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                <text>beaded bag</text>
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                <text>Although horses and flowers are common motifs on beaded bags, this intricate design depicting a Palamino and an Appaloosa trotting beneath a canopy of rose blossoms is exceptionally fine.  The bag features several different types of beads and beading techniques and, as is typical for bags of this type, is decorated on one side only.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Cotton, beads, buckskin</text>
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                <text>Yakama</text>
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                <text>1971</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_20.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_20.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_20_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_20_side2.htm&lt;/a&gt;</text>
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                <text>Bag 20</text>
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                <text>Recovered after the Battle of Clearwater in 1877, this bag has been attributed and dated on the basis of where and when it was found as well as its construction materials and design.&#13;
&#13;
University of Colorado Museum&#13;
&#13;
Indian hemp, cornhusk, cordage</text>
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                <text>ca. 1840</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag, obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_21.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_21.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_21_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_21_side2.htm&lt;/a&gt;</text>
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                <text>As scholars and collectors became increasingly interested in Native American art over the course of the 20th century, more effort was made to preserve the names and identities of those craftspeople who were still actively practicing the traditional arts.  This bag, for instance, is recorded as having been created by a mid-century Nez Perce weaver known as Mrs. Bull Weasel.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Hemp, cornhusk, yarn, cotton twine, leather thong</text>
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                <text>Mrs. Bull Weasel, Nez Perce</text>
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                <text>1945</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_22.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_22.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_22_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_22_side2.htm&lt;/a&gt;</text>
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                <text>This bag is attributed to a weaver named Susie Walsey Billy who was a member of the Rock Creek Band, one of the 14 tribes comprising the Yakama Nation.  The attribution is based on the testimony of Susie’s daughter, Agnes, who was able to identify the bag as her mother’s work and date it to the 1920’s or 1930’s when it was exhibited in l987 at the Maryhill Museum in Oregon.&#13;
&#13;
Schlick Collection&#13;
&#13;
Hemp, cornhusk, cotton string</text>
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                <text>1920</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/oberlin_bag.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/oberlin_bag.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/oberlin_bag_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/oberlin_bag_side2.htm&lt;/a&gt;</text>
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                <text>twined root bag</text>
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                <text>This bag from the Spalding-Allen collection is the earliest known and most securely dated example of the type of flat twined storage bag that the Nez Perce call “qaqape” (pronounced kaKA’peh).  Consistent with other early twined bags, this bag has a foundation structure of Indian hemp with a false embroidery decorative design of triangles and lines picked out in a lighter colored natural grass, probably bear grass.  The Oberlin bag is typical of many large twined storage bags in that each side features a different design. Overall, the bag is in very good condition, suggesting that it had not been used much at the time it was collected.  The black number “102” that appears on the upper left surface of the bag is probably an inventory number that was placed there at the time the bag was loaned to another institution in 1894.  This event separated the bag permanently from the rest of the Spalding-Allen collection and accounts for its continued presence in Oberlin until 2002.</text>
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                <text>Nez Perce</text>
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                <text>ca. 1840</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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                <text>Repatriated bag among other examples of Nez Perce flat twined weaving at the symposium</text>
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                <text>Lynnette Shows Her Shoes</text>
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