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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_05.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_05.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_05_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_05_side2.htm&lt;/a&gt;</text>
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                <text>Bag 5</text>
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                <text>The fact that the extra wefts used to create false embroidery decoration are incorporated into the fabric of the bag encourages designs that feature primarily geometric shapes.  This bag, for example, is decorated with a highly symmetrical pattern of triangles and rectangles, the contrasting shapes of which are further emphasized by their bright colors and bold outlines.&#13;
&#13;
Schlick Collection&#13;
&#13;
Hemp, cornhusk, wool</text>
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                <text>Columbia Plateau</text>
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                <text>late 19th-early 20th c.</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_07.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_07.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_07_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_07_side2.htm&lt;/a&gt;</text>
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                <text>This bag is very similar to the Oberlin bag and probably nearly as old.  Sturdy in construction, tightly woven to keep out dust, and naturally resistant to insects, bags like this stayed in use for many years as the repair adjacent to a large scorch mark suggests.&#13;
&#13;
Schlick Collection&#13;
&#13;
Indian hemp, cornhusk</text>
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                <text>Columbia Plateau</text>
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                <text>ca. 1850</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>&lt;span&gt;photo of bag; obtained from original Closing the Circle website: &lt;/span&gt;&lt;a href="http://www.oberlin.edu/external/circle/bag_16.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_16.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_16_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_16_side2.htm&lt;/a&gt;</text>
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                <text>The intricate design of roosters, eagles, and butterflies embroidered in colorful woolen yarns on this early 20th century handbag is quite unusual and must have had special meaning for the weaver who created it. &#13;
&#13;
Schlick Collection&#13;
&#13;
Corn husk, wool, leather, cotton twine</text>
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                <text>Columbia Plateau</text>
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                <text>early 20th century</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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                <text>Wash-us-etan-way</text>
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                <text>"Wash~us~etan-way" weaving a large storage bag, c. 1907. It may have taken a woman two to three months to complete a bag of this size. Photo by Fanny van Duyn, Tygh Valley, Oregon. Gary Goodwin Collection, Maryhill Museum of Art cat. no. 1991.06.01.</text>
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                <text>Fanny van Duyn</text>
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                <text>Schlick, Mary Dodds. 1994. Columbia River basketry ; gift of the ancestors, gift of the earth. Hong Kong: C &amp; C Offset Printing Co., Ltd. Page 142.</text>
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                <text>1907</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_09.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_09.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_09_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_09_side2.htm&lt;/a&gt;</text>
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                <text>Bag 9</text>
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                <text>miniature handbag</text>
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                <text>Possibly a handbag for a child’s doll, or a personal accessory that a senior woman might pin on her dress like a brooch, miniature bags have always been made as a way to demonstrate the weaver’s skill.  This bag was made by a Yakama weaver named Lena George.&#13;
&#13;
Schlick Collection&#13;
&#13;
Cotton twine, cornhusk, buckskin leather</text>
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                <text>1974</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag, obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_21.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_21.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_21_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_21_side2.htm&lt;/a&gt;</text>
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                <text>As scholars and collectors became increasingly interested in Native American art over the course of the 20th century, more effort was made to preserve the names and identities of those craftspeople who were still actively practicing the traditional arts.  This bag, for instance, is recorded as having been created by a mid-century Nez Perce weaver known as Mrs. Bull Weasel.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Hemp, cornhusk, yarn, cotton twine, leather thong</text>
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                <text>Mrs. Bull Weasel, Nez Perce</text>
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                <text>1945</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_01.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_01.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_01_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_01_side2.htm&lt;/a&gt;</text>
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                <text>This bag uses Indian hemp twine for its foundation fabric and cornhusk cord for its decorative motifs.  One side of the bag features a design with colored diagonal bands that were made using natural red, blue and green dyes, while the other side features a diamond-patterned design that employs only the natural hues of the hemp and cornhusk.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Hemp, cornhusk, cotton fastening cord</text>
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                <text>Nez Perce</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_04.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_04.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_04_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_04_side2.htm&lt;/a&gt;</text>
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                <text>This bag is a classic example of a twined bag with false embroidery decoration.  Bags of this size and complexity often took as long as two or three months of intermittent labor to complete.&#13;
&#13;
Southwest Museum, Los Angeles&#13;
&#13;
Cotton twine, cornhusk, wool yarn, leather, cloth</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_08.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_08.htm&lt;/a&gt; and &lt;a href="http://www.oberlin.edu/external/circle/bag_08_side2.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_08_side2.htm&lt;/a&gt;</text>
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                <text>Handbags like this are still considered standard personal accessories for Plateau women today.  Highly individual in their decorative treatment, they are used on special occasions and are explicit assertions of Indian identity. &#13;
&#13;
Schlick Collection&#13;
&#13;
Cotton twine, cornhusk, woolen yarn</text>
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                <text>Photograph by David Calco, Allen Memorial Art Museum; Item posted by Rachel Mead</text>
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              <text>photo of bag; obtained from original Closing the Circle website: &lt;a href="http://www.oberlin.edu/external/circle/bag_12.htm" target="_blank"&gt;http://www.oberlin.edu/external/circle/bag_12.htm&lt;/a&gt;</text>
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                <text>Not to be mistaken for tourist trinkets, personal ornaments like these earrings provide a way for Native women to both “wear” their identity and show off the virtuosity of the weaver’s craft.   &#13;
&#13;
Schlick Collection&#13;
&#13;
Cornhusk, yarn, leather</text>
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            <name>Creator</name>
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